3 cuotas de $9.218,33 sin interés | CFT: 0,00% | TEA: 0,00% | Total $27.655,00 |
1 cuota de $27.655,00 sin interés | CFT: 0,00% | TEA: 0,00% | Total $27.655,00 |
2 cuotas de $16.363,46 | Total $32.726,93 | |
3 cuotas de $11.180,92 | Total $33.542,75 | |
6 cuotas de $6.187,35 | Total $37.124,07 | |
9 cuotas de $4.604,56 | Total $41.441,02 | |
12 cuotas de $3.791,04 | Total $45.492,48 | |
24 cuotas de $2.840,40 | Total $68.169,58 |
3 cuotas de $11.783,80 | Total $35.351,39 | |
6 cuotas de $6.489,71 | Total $38.938,24 |
3 cuotas de $11.906,40 | Total $35.719,20 | |
6 cuotas de $6.536,26 | Total $39.217,56 | |
9 cuotas de $4.890,94 | Total $44.018,46 | |
12 cuotas de $4.005,60 | Total $48.067,16 |
18 cuotas de $3.149,60 | Total $56.692,75 |
Essential poems by the late New York poet.
Lunch Poems, first published in 1964 by City Lights Books as number nineteen in the Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry.
Edited by the poet in collaboration with Lawrence Ferlinghetti and Donald Allen, who had published O'Hara's poems in his monumental The New American Poetry in 1960, it contains some of the poet's best known works including "The Day Lady Died," "Ave Maria," and "Poem" [Lana Turner has collapsed!]. These are the compelling and formally inventive poems—casually composed, for example, in his office at The Museum of Modern Art, in the street at lunchtime or on the Staten Island Ferry en route to a poetry reading—that made O'Hara a dynamic leader of the "New York School" of poets.
"O'Hara speaks directly across the decades to our hopes and fears and especially our delights; his lines are as intimate as a telephone call. Few books of his era show less age."—Dwight Garner, New York Times
"As collections go, none brings . . . quality to the fore more than the thirty-seven Lunch Poems, published in 1964 by City Lights."—Nicole Rudick, The Paris Review
//
Lunch Poems, publicado por primera vez en 1964 por City Lights Books como el número diecinueve de la serie Pocket Poets, es ampliamente considerado la colección más fresca y lograda de Frank O´Hara.
Editado por el propio poeta en colaboración con Lawrence Ferlinghetti y Donald Allen—quien ya había incluido sus poemas en la monumental The New American Poetry de 1960—este libro reúne algunas de sus obras más célebres, como The Day Lady Died, Ave Maria y Poem (Lana Turner has collapsed!). Son poemas vibrantes e innovadores en su forma, escritos con aparente espontaneidad en su oficina del Museo de Arte Moderno, en la calle durante la hora del almuerzo o a bordo del ferry de Staten Island, camino a una lectura de poesía. Esta libertad creativa hizo de O’Hara una figura clave de la Escuela de Nueva York de poetas.
"O'Hara nos habla a través de las décadas, directo a nuestras esperanzas, temores y, sobre todo, placeres; sus versos son tan íntimos como una llamada telefónica. Pocos libros de su época han envejecido menos."
— Dwight Garner, The New York Times
"Como colecciones, pocas destacan con tanta claridad la esencia de un poeta como los treinta y siete Lunch Poems, publicados en 1964 por City Lights."
— Nicole Rudick, The Paris Review